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The last physical issue I’ve run into for a long time with crop sensors is the fact that it really puts blinders on your wide angle lenses. I have owned one fisheye lens in my life, had it for about two years, didn’t use it much (or only used it as a crutch when I couldn’t think of something more interesting to do), and then I sold it.
Get a basic hold on some math and then go get those moments!
Why are professionals all around the world working with 35mm based DSLRs and not medium format and up? The price of a medium format system is still stupid. If I’m going to drop money on a big expensive camera why piss around with a small 35mm and not just go big or go home? I don’t get shit for saying this stuff or making blog posts like this. I’ve run a few tests for myself and I have yet to see a . If I’m walking up to a scene or creating a portrait and I have a full frame with an 85mm and I want a shallow depth of field I can go to f2 or whatever. Every time I see a beautiful photograph I grab a calculator because math turns me on that much. I know I keep eluding to an upcoming post on stitched portraits and it in the works but let me say this quickly. For a great example of a photographer currently creating kick ass work with an 8×10 please check out the work of Greg Miller. It’s hard to judge subtleties when looking at images on the Internet but look at how the focus falls off in those images.
It took me a long time to save up for mine and I still have a very limited medium format kit. I don’t have a second body or back because I just can’t put the money into it. Looking at the 100% crop in the photo above shows me that every bit of detail that I need from a working camera can be achieved using an APS camera. By enough that I’m going to go all in on a Nikon D800 kit? I’m simply relaying my experiences working with all sorts of cameras in all sorts of situations. I hate the term bokeh because 99% of the time I hear people use that word they have no idea what in the hell they are talking about. If I put the full frame camera down and pick up a Fuji with the 56mm I know I’m going to get a deeper depth of field at f2 so I might want to open up to f1.2 or something to get an equivalent depth of field because two things are going on. Have you ever studied the math of Paolo Roversi (NSFW)? Stitching Fuji portraits starts to give me the feel of medium format. His work is fantastic and that 8×10 format gives his images a special extra *something* that cannot be achieved with our little tiny ass cameras. There’s a special quality to it that I’ve never ever ever seen achieved with anything smaller than a 4×5 camera.
Where things start to get confusing and is the topic of many a debate on forums is focal length of lenses and equivalent focal lengths in regard to crop sensors and all that. The only other thing we have to look at is focal length and sensor size.
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However, through that time I still argued that 35mm full frame was still a small format. It’s a tiny ass little itty bitty format when you compare it to the other formats of photography out today. The thing that I would first consider is depth of field. Medium format then gives you a look and feel that can’t be achieved in smaller formats. You go shoot a portrait with a large format camera, nail that exposure, nail that print… You are cheating yourself out of something mystical, magical, and a royal pain in the ass. He’s still traveling the world with large format cameras and film and all the PITA stuff that goes with that.
I didn’t think that full frame was better just based on size. Some of the trolls out there are going to think this is a Fuji sponsored message. While Fuji is a client of mine and I have done work for them they sure as hell don’t keep food on my table or a roof over my head on any sort of regular basis. The larger the sensor, the shallower the depth of field you get at a given aperture. Photography is art and science and you need to have a foot planted in each of those to be a well-rounded photographer. Here’s what I know: Aperture, focal length, camera to subject distance, and sensor size ALL play a role in depth of field. That’s why I study the likes of Avedon and Mary Ellen Mark and Dan Winters; it’s because of all their gorgeous math. Take a photo with your DSLR at f1.8 and then take the same shot with your cell phone. You are currently standing on the shoulders of many a large format photographer. It gives you a whole new perspective on DSLR photography. You’ll appreciate the speed and agility the 35mm or whatever gives you but you’ll realize how much you are missing as well. You’ll be thankful for your Canon or Nikon or Fuji but you will know there is something out there in the photographic world that it just can’t touch. His coverage of the Olympics with that old Speed Graphic is fantastic and unlike anything other photographers were shooting there. I guess if your name isn’t Greg or Gregory you just need to stick with small format stuff. Cary is a photographer’s photographer and shoots just about every format known to man.